Category: General

Date of the years of 1930, the beginning of the seminaries of Martin Heidegger on the poetry of Friedrich Hlderlin. However, the German philosopher clarifies that the importance of the poetical hlderliniana is stops beyond being taken as a mere literary study for critical and/or specifically academic ends. In the truth, according to Heidegger, Hlderlin points, through its workmanship, with respect to the possibility of the establishment of a irruptivo spirit as alternative to the ditames of the rationalism, whose poverty always comes from an unilateral and obliqued agreement (Hlderlin, 1994). ith and gain more knowledge.. Giving voice to the certification of Heidegger concerning the poetry of Hlderlin, it says: My thought keeps a incontornvel relation with the poetry of Hlderlin. Hlderlin was not for me a poet any, whose workmanship if summarizes as as much others, to one objecto of study for historians of literature. Hlderlin is the poet who indicates the future, that waits the god and that therefore it does not have to remain simple objecto of holderlinianos studies, to hear with inteireza the words poeticalally the man inhabits, is necessary to carefully return them for the poem (2002: 165). It wants to say with whom it is necessary that let us think concerning these words I look with it to free them of possible against-senses and incongruncias that the same ones can excite. when Heidegger considers thus it is because it wants to establish a interpretativa trajectory that leads in them to an understanding concerning the direction and of the value that they are attributed, for, at as a moment, to search to reach it to them essence. Important to clarify that when Heidegger considers to return the words for the poem so that let us can ouviz them, he is not suggesting that we let us carry through an interpretation to the estruturalista way, whose bedding is in death of the author the author yields, therefore, the main place to the writing, the text, or still to escriptor, that is not never subject seno one in the grammatical or linguistic direction, a paper being, not one person (2003: 50).

Darci Coast represents the reason for behind of the reason, its poetry arrancaa will chew for sample the face, he is the poet of the psychological analysis, and dasassociaes of thoughts, feelings and sensations. Its poetry to buscadecifrar and to disclose to the occult thought behind the feelings and dasatitudes, for this reason this poetry represents the game of the mind, odesengano and the deep analysis of our interior world. For estapoesia the feeling must be analyzed and what to sobrar, perhaps, it can atser called love. The poet of the linking of neurons. Thing that if it looks at and not sees Was with reason that you said That she very makes badly to the heart not to pardon, to keep rancor. Pardoned I you, but this Does not mean that you can be, This does not imply wanting in you.

What in the truth I want I am to be in peace with me, Is to be open to a new love. We do not need to be enemy, But with certainty we are not friends, What it can have between us two Is the purest indifference Since the disdain is Very noble feeling for ours case. It can be that the life we prepare acasos, I I can coexist this without losing the composure, look at can you As thing that if it looks at and it is not seen. What I can say still of us Is this strange fact, This to look to guilt and shame of what I think and I feel and not to find nothing, and I find natural that it is thus. I can say despite the good and the evil That I do not make you come of the simple fact Of that this not condiz attitude With my nature and my behavior. We can be one for the other Thing that if it looks at and it is not seen.

It wants me It does not say that simply the love finished, does not take off me in this way The reason of living. It says that I have that to move, That I have to accept that you as it is, Says that I have that to only live for you. It says that I am its, and end point. It does not say that the love simplemente finished, It plays with my feelings, It hurts my heart, It sins with me, and who more you to quizer, Me of reasons to look and to offer mine to you to you pardon. It wants me dragging to its feet it wants, Me eating in its hand wants, Me simplemente wants me it wants, Me, and it does not need to be faithful. It offends me it wounds, me blames, me, But for God, it does not say that the Simplemente love finished. Jose Nunes J.Nunezbusca Pear tree = j.nunez poetry

Josias Maciel is the poet of the idealized man, the poet of the power, the virility, the gerenerao of the demoralized, not motivated man for the easy and accidental sex. In this poet we find the natural woman with its qualities and virtues and not an imitation of the manthat it is of course vile.He is the poet of regenerations, the fertility, the virility without magismo, the power, the pureness without puritanismos and of the masculine expression, the clarity, the concentration and masculine objetividade, the virtues without stages, of they linguajem untied and direct. This poet is the opposition the feminilidade, the vanities of the current man and the demoralization of the man. The Sword of an Angel Its clothes had been falling in the soil of the Done room petals of naked white rose. Its naked body still more is perfumed. Without petals it was the sample its skin of pink color and its pelugem of peach mature Of relva or saliva of rough language She was humidified its soft skin of mace Never before bitten. Playing of a petal well-me-wants with its body Pulled out its, Breached its only veil or membrane It fainted done one passarinho abated, Moaned and felt espasmo of death Or of Tereza Saint tranferred for the sword of a ertico angel, she looks at Now me been thankful, and as if I was you the life and of the death, it a son asks for to me.